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Arnel Sancianco

A woman in a fancy white dress balances a book on her head while two older women observe.

by Hugh Iglarsh | October 4, 2023

Too Much Goes Unmentioned: A Review of “The Nacirema Society” at Goodman Theatre

by Ted C. Fishman | May 18, 2022

Advance and Parry: A Review of “Athena” at Writers Theatre

by Irene Hsiao | January 27, 2020

Caught Up: A Review of The Mousetrap at Court Theatre

by Kevin Greene | January 2, 2020

Players 2020: The Fifty People Who Really Perform for Chicago

by Kevin Greene | April 19, 2019

Beast or Burden: A Review of First Love is the Revolution at Steep Theatre

by Kevin Greene | April 10, 2019

A Play to Win: A Review of Lottery Day at Goodman Theatre

by Erin Shea Brady | January 31, 2019

Woman on the Edge: A Review of Photograph 51 at Court Theatre

by Erin Shea Brady | October 29, 2018

Unpacking a Diva : A Review of Master Class at TimeLine Theatre Company

by Amanda Finn | October 9, 2018

A Snapshot of Reel Life: A Review of Crumbs from the Table of Joy at Raven Theatre Company

by Kevin Greene | January 5, 2018

Designers Make It Work: Five Local Theater Designers Detail Their Dream Projects

by Emma Couling | November 13, 2017

Open Me Carefully: A Review of The Belle of Amherst at Court Theatre

by Kevin Greene | October 12, 2017

Hullabaloo on the Horizon: A Review of Two Mile Hollow at First Floor Theater

by Kevin Greene | October 12, 2017

Crossing Over: A Review of The Crucible at Steppenwolf for Young Adults

by Danielle Levsky | July 11, 2017

Blurred New World: A Review of Pilgrims at The Gift Theatre

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October Issue
Realism

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