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Black Ensemble Theater

by Brian Hieggelke | December 2, 2024

Stage Top 5: December 2024

by Ted C. Fishman | October 10, 2024

Soul Passion: A Review of Black Ensemble Theater’s “Blue Eyed Soul Sung by Brown Eyed People”

by Sharon Hoyer | September 11, 2024

Bigger and Better: A Preview of “Chicago Live!” at Navy Pier

by Tristan Bruns | June 21, 2024

Tangles to Triumphs: A Review of “The Salon” at Black Ensemble Theater

Five actors sing on stage facing different directions

by Tristan Bruns | March 7, 2024

A Time of Creativity: A Review of “The Time Machine—A Tribute to the Eighties” at Black Ensemble Theater

A man wearing an apron holds his hands up while speaking to a crowd. Behind him a choir sings on steps.

by Tristan Bruns | September 14, 2023

Pinch of Soul, Dash of Fun: A Review of “Taste of Soul” at Black Ensemble Theater

by Ted C. Fishman | June 14, 2023

Sunshine On a Cloudy Day: A Review of “Real Housewives of Motown” at Black Ensemble Theater

by Ted C. Fishman | March 10, 2023

Shining Star: A Review of “Reasons: A Tribute to Earth Wind and Fire” at Black Ensemble Theater

by Brian Hieggelke | January 31, 2023

Stage Top 5: February 2023

by Ted C. Fishman | November 4, 2022

Let The Good Times Roll: A Review of Blue Heaven at Black Ensemble Theater

by Noel Schecter | August 23, 2022

One of the Harlem Renaissance’s Brightest Lights: A Review of My Brother Langston at the Black Ensemble Theater

by Ted C. Fishman | February 9, 2022

A Soundtrack to America: A Review of “Women of Soul with a Special Tribute to Aretha”

by Newcity | January 7, 2022

Players 50 2022: The Institutions

by Kevin Greene | August 30, 2019

Fall Theater Preview: 2019 Edition

by Sharon Hoyer | January 2, 2019

Players 2019: The Fifty People Who Really Perform for Chicago

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