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Breon Arzell

by Amanda Finn | July 9, 2025

Freedom of Self: A Review of “The Color Purple” at the Goodman Theatre

by Newcity | January 7, 2025

Players 50 2025: Theater

by Tristan Bruns | July 8, 2024

Hot, Hot, HOT! A Review of “The Hot Wing King” at Writers Theatre

by Tristan Bruns | September 25, 2023

The Price of Freedom: A Review of “Blues for an Alabama Sky” at Remy Bumppo

by Newcity | January 6, 2023

Players 2023: Who Really Performs for Chicago Right Now in Theater

by Amanda Finn | March 2, 2020

Bells That Toll: A Review of Kill Move Paradise at TimeLine Theatre Company

by Amanda Finn | January 30, 2020

The Body Remembers: A Review of The Leopard Play or sad songs for lost boys at Steep Theatre

by Kevin Greene | January 2, 2020

Players 2020: The Fifty People Who Really Perform for Chicago

by Amanda Finn | August 7, 2019

Don’t Wait, Go Go: A Review of Head Over Heels at Kokandy Productions

by Amanda Finn | February 22, 2019

Bodies Politicking: A Review of Mike Pence Sex Dream at First Floor Theater

by Kevin Greene | March 9, 2018

Endless Voyage: A Review of Dontrell, Who Kissed The Sea at First Floor Theater

by Emma Couling | January 16, 2018

Sit Up And Lean In: A Review of Insurrection: Holding History at Stage Left Theatre

by Kevin Greene | January 4, 2018

Players 2018: The Fifty People Who Really Perform for Chicago

by Persephone Jones | August 1, 2017

Burning Down The House: A Review of An Octoroon at Definition Theatre Company

by Kevin Greene | May 11, 2017

The Heart of Conflict: A Review of Objects in the Mirror at Goodman Theatre

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