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Bryan Breau

by Tristan Bruns | October 24, 2025

In “The Sporting Life,” a Teenage Girl Employs a Witch To Transform Herself Heads roll and blood overflows at The Factory Theater this Halloween season.

by Hugh Iglarsh | May 21, 2025

Apocalypse Lite: A Review of “R.U.R.” at City Lit Theater

by Tristan Bruns | September 12, 2024

It’s Clobberin’ Time: A Review of “The House of Ideas” at City Lit Theater

A woman sits upside down on a couch next to a man in a suit.

by Hugh Iglarsh | June 14, 2024

Human, All Too Human: A Review of “Three Sisters” by Invictus Theatre Company at Windy City Playhouse

by Mary Wisniewski | November 2, 2023

Fairytale Terror: A Review of “The Night of the Hunter” at City Lit

by Amanda Finn | January 27, 2023

What’s In a Name? A Review of The Great Khan at Redtwist Theatre

by Persephone Jones | February 18, 2019

Rings False: A Review of Dead Man’s Cell Phone at The Comrades

by Hugh Iglarsh | February 22, 2018

Albanian Delight: A Review of Some Like It Red at The Plagiarists

by Persephone Jones | May 22, 2017

Well-Furnished Yet Vacant: A Review of Circle House at The Plagiarists

by Irene Hsiao | October 12, 2016

An Epic in Title and Deed A Review of The Epic of Gilgamesh, According to Mr. George Smith, Associate Curator for the British Museum (Deceased) at The Plagiarists

by Monica Westin | April 27, 2009

Review: All My Love/Diamante Productions

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October Issue
Realism

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