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Theater, Dance, Comedy and Performance in Chicago

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Caroline Neff

by Mary Wisniewski | September 25, 2025

In Steppenwolf’s “Mr. Wolf,” A Teenager Reluctantly Returns Home From Her Kidnapper The top-shelf production is tightly directed and beautiful, but leaves too much space unexplored.

by Noel Schecter | February 13, 2025

Take It in with a Tequila Back: A Review of “Fool for Love” at Steppenwolf Theatre

by Newcity | January 7, 2025

Players 50 2025: Theater

by Ted C. Fishman | November 9, 2023

Hail to the Chief: A Review of “POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive” at Steppenwolf

A woman sits in a bed while a younger girl looms behind her in the shadows.

by Mary Wisniewski | June 28, 2023

Life Goes On: A Review of “Another Marriage” at Steppenwolf Theatre

by Mary Wisniewski | March 17, 2023

Lies, All Lies: A Review of “Describe the Night” at Steppenwolf Theatre

by Erin Shea Brady | December 24, 2019

Pursuit of Perfection: A Review of Dance Nation at Steppenwolf Theatre Company

by Kevin Greene | October 11, 2018

Making The Case: A Review of The Curious Incident of the Dog in the Night-Time at Steppenwolf for Young Adults

by Kevin Greene | August 31, 2018

Seeing Seventy: A Select Slice of This Fall’s Theater Season

by Emma Couling | April 24, 2018

Apprehensive Experience: A Review of Lettie at Victory Gardens Theater

by Kevin Greene | February 9, 2018

Growing In: A Review of You Got Older at Steppenwolf Theatre Company

by Kevin Greene | February 22, 2017

God’s Moochers: A Review of Uncle Vanya at Goodman Theatre

by Alex Huntsberger | November 22, 2016

Lonely at the Top A Review of The Fundamentals at Steppenwolf Theatre Company

by Kevin Greene | July 8, 2016

Content to Drift Across the Surface A Review of Wastwater at Steep Theatre Company

by Michael Amedeo | February 16, 2016

Review: The Flick/Steppenwolf Theatre Company

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