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Carrie Hanson

Three barefoot dancers in black outfits perform a dynamic pose against a red brick wall. One dancer is mid-air, supported by the other two, whose arms and bodies create dramatic, fluid lines.

by Sharon Hoyer | September 29, 2026

Dance Top 5: October 2026

A dancer wearing a white hat and light-colored clothes kneels on a dimly lit stage, arms extended gracefully, with a dark curtain in the background. Blue lighting casts dramatic shadows.

by Sharon Hoyer | March 3, 2026

The Seldoms’ Postponed “Floe” About Climate Change Premieres in a Hotter World There is clear urgency and a call to action in Carrie Hanson’s piece, which is even more relevant now, six years after its making.

by Sharon Hoyer | July 1, 2025

Radical Beauty: The Seldoms Present “Superbloom” At The Chicago Botanic Garden

by Newcity | January 7, 2025

Players 50 2025: Dance

by Sharon Hoyer | July 10, 2024

Unknowable Space: Ginger Farley Explores Liminality and More in Mixed Bill “Cycles”

by Newcity | January 6, 2023

Players 2023: Who Really Performs for Chicago Right Now in Dance

by Sharon Hoyer | October 12, 2022

Close Reading: A Review of The Seldoms’ Toolbox @ Twenty at Hyde Park Art Center

by Sharon Hoyer | October 6, 2021

Turfs Up: The Seldoms Take a Close Look at Two Leafy Greens in GRASS

by Sharon Hoyer | April 15, 2020

The Biggest Question: The Seldoms Take On the Existential Crisis of Our Time

by Kevin Greene | January 2, 2020

Players 2020: The Fifty People Who Really Perform for Chicago

by Kevin Greene | January 4, 2018

Players 2018: The Fifty People Who Really Perform for Chicago

by Sharon Hoyer | November 8, 2017

Partially Obstructed: The Seldoms tune in to the lower frequencies in The Making

by Sharon Hoyer | May 6, 2016

Wearable Landscape: An Interview with The Seldoms’ Visual Artist Bob Faust

by Sharon Hoyer | May 2, 2016

Preview: RockCitizen/The Seldoms

by Kevin Greene | January 15, 2016

Players 2016: The Fifty People Who Really Perform for Chicago

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A magazine cover split vertically: the left half shows wood grain, the right half shows a mans face and neck. NEWCITY and OCTOBER 2021 appear in yellow text at the top right.

October Issue
Realism

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