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Christopher Pazdernik

by Tristan Bruns | June 5, 2025

The Worst Job: A Review of “Diana” at Theo Ubique Cabaret Theatre

by Mary Wisniewski | November 25, 2024

A Touch of Spring: A Review of “The Secret Garden” at Theo Ubique Cabaret Theatre

by Dennis Polkow | March 5, 2024

Theo Theophany: A Storefront Theater’s Journey to Inclusivity

by Newcity | January 9, 2024

Players 50 2024: The Music Makers

by Amanda Finn | November 15, 2023

A Killer Production: A Review of “Assassins” at Theo Ubique

by Amanda Finn | March 16, 2023

A Glimpse at How We Cope: A Review of Avenue Q at Music Theater Works

by Lucy Holden | June 23, 2022

How to Build a Beautiful City: A Review of “Godspell” at Theo Ubique Cabaret Theatre

by Persephone Jones | November 9, 2018

One More Time With Meaning: A Review of The Last Session at Refuge Theatre Project

by Kevin Greene | May 15, 2017

Opening This Week: May 15-21, 2017

by Alex Huntsberger | October 17, 2016

Not Nearly Wicked Enough A Review of Wicked City at Chicago Theatre Workshop

by Danielle Levsky | August 14, 2016

Mother Midler Returns A Review of Bette, Live at the Continental Baths at Hell in a Handbag Productions

by Danielle Levsky | June 16, 2016

Reaches But Doesn’t Hit Its Peak A Review of "Make Me a Song" at Eclectic Full Contact Theatre

by Aaron Hunt | January 14, 2015

Review: I Don’t Remember You: Broadway’s Cult Classics, Vol. II/Davenport’s

by Zach Freeman | February 11, 2014

Review: Option Up!/Stage 773

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October Issue
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