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Chuck Smith

A jazz band performs on stage in vintage attire; a singer stands at a microphone, musicians play instruments, and others watch. The set resembles a recording studio with stairs and an upper window labeled “RECORDING.”.

by Mary Wisniewski | April 10, 2026

Goodman Stages a Magnificent Production of “Ma Rainey’s Black Bottom” by August Wilson In Wilson's 1982 play, the playwright imagined a recording session for prolific early-blues recording artist Gertrude “Ma” Rainey and her band in Chicago in 1927.

A man in a black jacket and backwards cap extends his hand toward the camera as if blocking it, with a serious expression, set against a bright red background.

by Todd Hieggelke | April 1, 2026

Stage Top 5: April 2026

by Mary Wisniewski | June 11, 2025

Silver Lining: A Review of “Golden Leaf Ragtime Blues” at American Blues Theater

by Newcity | January 7, 2025

Players 50 2025: Theater

A man walks through a doorway on a stage set with smokestacks in the background.

by Hugh Iglarsh | April 30, 2024

Secrets Not Revealed: A Review of “Joe Turner’s Come and Gone” at the Goodman Theatre

Two men sit around a campfire next to a wagon.

by Mary Wisniewski | February 27, 2024

Monticello’s Façade: A Review of “The Reclamation of Madison Hemings” at American Blues Theater

by Newcity | January 6, 2023

Players 2023: Who Really Performs for Chicago Right Now in Theater

by Hugh Iglarsh | February 4, 2022

A Jewel of a Show: A Review of Gem of the Ocean at the Goodman Theatre

by Kevin Greene | January 2, 2020

Players 2020: The Fifty People Who Really Perform for Chicago

by Kevin Greene | August 31, 2018

Seeing Seventy: A Select Slice of This Fall’s Theater Season

by Kevin Greene | January 4, 2018

Players 2018: The Fifty People Who Really Perform for Chicago

by Kevin Greene | July 27, 2017

What’s In A Name: Definition Theatre Company Defies Labels with Branden Jacobs-Jenkins’ “An Octoroon”

by Kevin Greene | May 11, 2017

The Heart of Conflict: A Review of Objects in the Mirror at Goodman Theatre

by Loy Webb | September 4, 2016

The End of the Line A Review of Dutchman/TRANSit at American Blues Theater

by Loy Webb | June 1, 2015

Review: Stick Fly/Windy City Playhouse

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Newcity cover showing woman with red hair and bird-face, with nest and crow on top of head.

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Fall Arts + Art 50

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