by Mary Wisniewski | February 20, 2026Court Theatre Stages August Strindberg’s Famous Study of Class and Gender A noisy start and a murky finish are among the choices that obscure "Miss Julie"'s timely relevance for a divided America.
by Hugh Iglarsh | December 1, 2025What Should Modern Theaters Do with Shakespeare’s Nasty Shrew? Court Theatre’s production of “The Taming of the Shrew” lacks good answers to this bothersome question.
by Dennis Polkow | September 25, 2025A Depression-Era South Side Play Lifts “Fog” at Court Theatre "Big White Fog," to which "A Raisin in the Sun" owes much, provides an invaluable snapshot of a community struggling with its own identity.
by Robert Eric Shoemaker | June 12, 2025“What Risk There Is In the World”: Revising “An Iliad” at Court Theatre
by Dennis Polkow | February 17, 2025Black to Black: A Review of “A Raisin in the Sun” at Court Theatre
by Sara Stern | November 22, 2024Perfect Lesson for Imperfect Time: A Review of “Falsettos” by Court Theatre and TimeLine Theatre
by Tristan Bruns | June 10, 2024Black Power! A Review of “Stokely: The Unfinished Revolution” at Court Theatre
by Mary Wisniewski | April 11, 2024Abridged Absurdity: A Review of “Rosencrantz and Guildenstern Are Dead” at Court Theatre
by Mary Wisniewski | November 16, 2023Something Special: A Review of “The Lion in Winter” at Court Theatre
by Tristan Bruns | May 24, 2023An Oedipus Not Complex: A Review of “The Gospel at Colonus” at Court Theatre
