by Tristan Bruns | June 17, 2026“Leopoldstadt” Is Writers Theatre’s Largest Production in Its History The final play written by Tom Stoppard is a sweeping saga that follows a Jewish family in Vienna across generations.
by Mary Wisniewski | November 26, 2025Chicago Shakes’ “Much Ado About Nothing” Revives the Spirit of Classic 1940s Romantic Comedies Selina Cadell’s production of the screwball comedy delivers solid Shakespeare—clear and easy to understand without dilution.
by Tristan Bruns | September 22, 2025“Dial M for Murder” Crafts the Perfect Crime into a Fast-Paced Thriller Drury Lane's adaptation adds a refreshing update to Frederick Knott's classic “whodunit.”
by Mary Wisniewski | December 12, 2024Witty and Complex: A Review of “Little Women” at Northlight Theatre
by Mary Wisniewski | April 11, 2024Abridged Absurdity: A Review of “Rosencrantz and Guildenstern Are Dead” at Court Theatre
by Christine Trevino | September 11, 2023Country Boy: A Review of “Ring of Fire: The Music of Johnny Cash” at Drury Lane Theatre
by Dennis Polkow | December 6, 2022Feminist Pride and Prejudice: A Review of Georgiana and Kitty: Christmas at Pemberley at Northlight Theatre
by Kevin Greene | February 24, 2018The Mean Of Girls: A Review of The Burn at Steppenwolf for Young Adults
by Kevin Greene | October 12, 2017Crossing Over: A Review of The Crucible at Steppenwolf for Young Adults
by Aaron Hunt | November 21, 2016Best of Wise Men and Women A Review of Miss Bennet: Christmas at Pemberley at Northlight Theatre
