by Amanda Finn | October 1, 2026Steppenwolf’s “Topdog/Underdog” Reckons With the American Dream Namir Smallwood and Glenn Davis anchor Suzan-Lori Parks' Pulitzer Prize-winning tragicomedy about two brothers trying to make it.
by Amanda Finn | April 27, 2026“Windfall” Begs the Question: What Is the Cost of a Life? Tarell Alvin McCraney’s world premiere at Steppenwolf examines the aftermath of a police killing.
by Hugh Iglarsh | May 9, 2024Revenge Comedy: A Review of “The Thanksgiving Play” at Steppenwolf Theatre
by Tristan Bruns | March 11, 2024A Fine Line: Branden Jacobs-Jenkins Rethinks the “Purpose” of Family at Steppenwolf
by Mary Wisniewski | March 17, 2023Lies, All Lies: A Review of “Describe the Night” at Steppenwolf Theatre
by Brian Hieggelke | September 9, 2021Collision Course: Steppenwolf Emerges from the Pandemic with New Leadership and a New Theater (Fall Arts Preview 2021)
by Kevin Greene | February 9, 2018Growing In: A Review of You Got Older at Steppenwolf Theatre Company
by Alex Huntsberger | December 15, 2016On Hollow Ground A Review of The Christians at Steppenwolf Theatre Company
