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Hallie Gordon

by Sharon Hoyer | January 2, 2019

Players 2019: The Fifty People Who Really Perform for Chicago

by Kevin Greene | October 12, 2017

Crossing Over: A Review of The Crucible at Steppenwolf for Young Adults

by Persephone Jones | July 20, 2017

A Kitchen Sink Drama With An Identity Crisis: A Review of Hir at Steppenwolf Theatre Company

by Kevin Greene | May 1, 2016

Review: Dry Land/Rivendell Theatre Ensemble

by Mary Kroeck | October 28, 2015

Review: 1984/Steppenwolf for Young Adults

by Loy Webb | October 20, 2014

Review: Animal Farm/Steppenwolf For Young Adults

by Raymond Rehayem | June 2, 2014

Review: Eat Your Heart Out/Rivendell Theatre Ensemble

by Johnny Oleksinski | October 22, 2012

Review: The Book Thief/Steppenwolf Theatre

by Brian Hieggelke | October 18, 2011

Review: The Heart Is A Lonely Hunter/Steppenwolf for Young Adults

by Erin Kelsey | May 10, 2011

Steppenwolf for Young Adults announces 2011-2012 season

by Brian Hieggelke | October 26, 2010

Review: To Kill a Mockingbird/Steppenwolf Young Adult

by Fabrizio O. Almeida | October 19, 2009

Mango Mania: Creative triple threat Tanya Saracho shifts into overdrive with a Steppenwolf adaptation

by Brian Hieggelke | March 10, 2009

Steppenwolf Theatre Company 2009-2010 season announcement

by Brian Hieggelke | July 2, 2008

The Lake Effect

A magazine cover split vertically: the left half shows wood grain, the right half shows a mans face and neck. NEWCITY and OCTOBER 2021 appear in yellow text at the top right.

October Issue
Realism

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