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Harold Pinter

by Hugh Iglarsh | April 30, 2025

Meaningful Nonsense: Chopin Theatre and Gwydion’s “Theatre of the Absurd Festival”

Man and woman face each other sitting in orange armchairs.

by Hugh Iglarsh | February 21, 2025

All in the Subtext: A Review of “Betrayal” at Goodman Theatre

Four dressed up men are in a fancy room, two seared in armchairs on the left, and one standing next to another man on the right.

by Hugh Iglarsh | July 26, 2023

Pinteresque Perfection: A Review of “No Man’s Land” at Steppenwolf Theatre

by Hugh Iglarsh | January 25, 2023

Humdrum Horror: A Review of “The Birthday Party” at City Lit

by Kevin Greene | October 31, 2016

Opening This Week: October 31-November 6, 2016

by Kevin Greene | July 11, 2016

Opening This Week July 11-17, 2016

by Christopher Kidder-Mostrom | August 22, 2015

Review: Ashes to Ashes/Citizens’ Relief and INTUIT: The Center for Intuitive and Outsider Art

by Joy Miller | August 10, 2015

Review: Celebration/A Red Orchid Incubator

by Zach Freeman | August 20, 2013

Review: The Dumb Waiter/Proud Kate Theatre Project

by Brian Hieggelke | June 30, 2012

Review: The Lover/Soul Theatre at A Red Orchid Theatre

by Neal Ryan Shaw | October 10, 2011

Review: Old Times/Strawdog Theatre Company

by Erin Kelsey | June 13, 2011

Strawdog Theatre Company announces 2011-2012 season

by Erin Kelsey | March 17, 2011

Writers’ Theatre announces 2011-2012 season

by Zach Freeman | March 13, 2011

Review: The Homecoming/Mary-Arrchie Theatre

by Monica Westin | April 5, 2010

Review: Death to Fascism, Freedom for My People—A Basement of One Acts by Harold Pinter/Slimtack Theatre Co.

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