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Karen Rodriguez

by Ted C. Fishman | November 9, 2023

Hail to the Chief: A Review of “POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive” at Steppenwolf

by Kevin Greene | March 3, 2020

Joy Divided: A Review of I Am Not Your Perfect Mexican Daughter at Steppenwolf for Young Adults

by Kevin Greene | January 2, 2020

Players 2020: The Fifty People Who Really Perform for Chicago

by Erin Shea Brady | December 24, 2019

Pursuit of Perfection: A Review of Dance Nation at Steppenwolf Theatre Company

by Ben Kaye | December 21, 2018

The Little Things That Keep Her Alive: A Review of La Ruta at Steppenwolf Theatre Company

by Emma Couling | October 10, 2018

Joy and Celebration, Elevation and Activism at the Inaugural Alliance of Latinx Theater Artists Awards

by Irene Hsiao | June 12, 2018

The Evictorcist: A Review of The Displaced at Haven Theatre

by Emma Couling | May 25, 2018

In Word and Deed: Playwright Isaac Gomez and His Urge To Work

by Kevin Greene | April 16, 2018

Fake It ‘Til You Break It: A Review of The Doppelgänger (an international farce) at Steppenwolf Theatre Company

by Kevin Greene | February 24, 2018

Stuck In Place: A Review of Breach: a manifesto on race in america through the eyes of a black girl recovering from self-hate at Victory Gardens Theater

by Kevin Greene | September 18, 2017

Tender and Sweet: A Review of The Rembrandt at Steppenwolf Theatre Company

by Joy Miller | August 30, 2015

Review: Don Chipotle/terraNOVA Collective and The Playground Theater

by Zach Freeman | November 16, 2014

Review: Our Holiday Stories/16th Street Theater

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