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Kevin Hagan

Two actors in period costumes stand facing each other on a dimly lit stage. The man gestures with open hands, while the woman, wearing a floral robe over a dress, listens intently. A dark wooden cabinet is in the background.

by Amanda Finn | April 9, 2026

“The Sugar Wife” Questions the Morality of Capitalism The Artistic Home stages the U.S. premiere of Elizabeth Kuti’s play set in 1850 Dublin.

A man peers at a woman looking back at him from behind a couch.

by Hugh Iglarsh | February 25, 2025

No Victim, She: A Review of The Artistic Home’s “Hedda Gabler” at the Den Theatre

by Tristan Bruns | November 17, 2022

Though It May Hurt…: A Review of The Artistic Home’s “Malapert Love”

by Hugh Iglarsh | February 21, 2019

Welt Upon the Soul: A Review of Requiem for a Heavyweight at The Artistic Home

by Irene Hsiao | October 9, 2018

A Revolution Without Dancing: A Review of Rock ‘N’ Roll at The Artistic Home

by Kevin Greene | July 18, 2016

Take a Shot of Redemption A Review of Our Lady of 121st Street at Eclipse Theatre Company

by Aaron Hunt | April 21, 2015

Review: Lips Together, Teeth Apart/Eclipse Theatre Company

by Zach Freeman | July 23, 2014

Review: Intimate Apparel/Eclipse Theatre Company

by Ella Christoph | July 24, 2012

Doubly Directed: Eclipse Theatre Continues O’Neill Journey in “Ah, Wilderness!”

by Dennis Polkow | September 8, 2008

Review: The Glass Menagerie/Shattered Globe Theatre

by Ilanakowarski | February 10, 2005

Review: Closer Than Ever/Porchlight Music Theatre

A magazine cover split vertically: the left half shows wood grain, the right half shows a mans face and neck. NEWCITY and OCTOBER 2021 appear in yellow text at the top right.

October Issue
Realism

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