by Robert Eric Shoemaker | November 6, 2025This Is the Moment for Kokandy’s “Jekyll & Hyde” Jaw-dropping vocals breathe life into a melodramatic cult favorite.
by Mary Wisniewski | October 29, 2024Bedtime Fairy Tales: A Review of Kokandy’s “Into the Woods” at The Chopin Studio Theatre
by Mary Wisniewski | June 7, 2024Varieties of Romance: A Review of “A Little Night Music” at Theo Ubique Cabaret Theatre
by Hugh Iglarsh | January 25, 2024Brecht at his Best: A Review of “Mother Courage and Her Children” at Trap Door Theatre
by Mary Wisniewski | September 29, 2023An Odd Dream: A Review of “The Pragmatists” at Trap Door Theatre
by Tristan Bruns | February 15, 2023Lust, Greed and the Absurd: A Review of “Princess Ivona” at Trap Door Theatre
by Aaron Hunt | January 12, 2022Children Will Find The Door: A Review of Mary Rose at Black Button Eyes Productions
by Ben Kaye | October 12, 2021A Fan’s Gotta Do: A Review of Dr. Horrible’s Sing-Along Blog at Black Button Eyes Productions
by Amanda Finn | October 19, 2018The Name’s The Thing: A Review of It’s Only a Play at Pride Films and Plays
by Hugh Iglarsh | August 21, 2018Dig A Little Deeper: A Review of Nightmares & Nightcaps: The Stories of John Collier at Black Button Eyes Productions
by Noel Schecter | January 8, 2018A Macabre Tale: A Review of Nevermore–The Imaginary Life and Mysterious Death of Edgar Allan Poe at Black Button Eyes Productions
by Irene Hsiao | August 16, 2017Deranged Delight: A Review of Shockheaded Peter at Black Button Eyes Productions
by Danielle Levsky | July 12, 2016Pucker Up A Review of BITE: A Pucking Queer Cabaret at Pride Films & Plays
