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Liviu Pasare

Squares of translucent material with embedded objects are attached to a wall, illuminated by green and blue reflections that resemble water or nature scenes. The atmosphere is calm and artistic.

by Robert Eric Shoemaker | August 12, 2026

It Was a Pleasure To Burn Non:op’s "Inventory of Lost Books" immerses itself in design and abstraction.

by Sharon Hoyer | July 1, 2025

Radical Beauty: The Seldoms Present “Superbloom” At The Chicago Botanic Garden

by Sharon Hoyer | July 12, 2023

Titans of Culture: A Review of “The Big Bang: Movement Theory + the Black Dancing Body” at Art on The Mart

by Kevin Greene | May 26, 2019

Dance, Dance, Revolution: A Review of La Havana Madrid at Teatro Vista and Collaboraction

by Hugh Iglarsh | May 6, 2019

Set Your Heart at Ease: A Review of Sentimental Journey at Citadel Theatre

by Amanda Finn | February 11, 2019

Disassembling the System: A Review of Pipeline at Victory Gardens

by Kevin Greene | April 15, 2018

Concrete Jungle: A Review of Roots in the Alley at Adventure Stage Chicago

by Alex Huntsberger | September 9, 2014

Review: Mnemonic by Complicite/Red Tap Theatre

by Zach Freeman | March 15, 2014

Review: Ithaka/InFusion Theatre Company

by Johnny Oleksinski | April 15, 2013

Review: A Permanent Image/LiveWire Chicago Theatre

by Johnny Oleksinski | February 21, 2013

Review: Crime Scene: A Chicago Anthology/Collaboraction

by Dennis Polkow | October 5, 2010

Review: Sunday in the Park with George/Porchlight Theatre

A magazine cover split vertically: the left half shows wood grain, the right half shows a mans face and neck. NEWCITY and OCTOBER 2021 appear in yellow text at the top right.

October Issue
Realism

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