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Mark Ulrich

Four dressed up men are in a fancy room, two seared in armchairs on the left, and one standing next to another man on the right.

by Hugh Iglarsh | July 26, 2023

Pinteresque Perfection: A Review of “No Man’s Land” at Steppenwolf Theatre

by Brian Hieggelke | August 16, 2022

Welcome to the Jungle: A Review of Campaigns, Inc. at TimeLine Theatre

by Ben Kaye | November 5, 2019

Ship of Fools: A Review of Laura and the Sea at Rivendell Theatre Ensemble

by Hugh Iglarsh | September 12, 2019

Teapot Tempest: A Review of Howards End at Remy Bumppo Theatre Company

by Ben Kaye | February 12, 2019

Stuck in First Gear: A Review of How I Learned To Drive at Raven Theatre

by Danielle Levsky | August 28, 2017

A Woman’s World: A Review of The Audience at TimeLine Theatre Company

by Persephone Jones | August 3, 2016

More Myth Than Man A Review of Douglass at the american vicarious

by Johnny Oleksinski | January 15, 2013

Review: American Wee-Pie/Rivendell Theatre Ensemble

by Brian Hieggelke | March 12, 2012

Review: Falling: A Wake/Rivendell Theatre Ensemble

Newcity cover showing woman with red hair and bird-face, with nest and crow on top of head.

September Issue
Fall Arts + Art 50

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