by Sylvia Ewing | April 21, 2025August Wilson’s Man in Chicago: How Ron OJ Parson Became the Nation’s Foremost Director of the Late Great Playwright
by Hugh Iglarsh | August 7, 2019Leeway for Risk-Taking: Finding Family in the Chicago Theater with Mark Larson
by Kevin Greene | September 18, 2017Tender and Sweet: A Review of The Rembrandt at Steppenwolf Theatre Company
by Danielle Levsky | August 31, 2017Making a Monster: Rivendell Theatre Ensemble Continues Its Dedication to Female-Identified Artists With World Premiere of Margaret Atwood Adaptation
by Kevin Greene | April 27, 2017Let It All Out: A Review of The Firebirds Take the Field at Rivendell Theatre Ensemble
by Brian Hieggelke | January 22, 2015Player of the Moment: David Schmitz, New Managing Director of Steppenwolf Theatre
by Johnny Oleksinski | April 11, 2013God at Work: The Divine Genius of Steppenwolf Playwright Tarell Alvin McCraney
by Brian Hieggelke | March 22, 2011Shooting Star: The remarkable ascent of Steppenwolf’s Jon Michael Hill
