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Mary Zimmerman

by Hugh Iglarsh | April 30, 2025

Meaningful Nonsense: Chopin Theatre and Gwydion’s “Theatre of the Absurd Festival”

by Newcity | January 7, 2025

Players 50 2025: Theater

Four women use an axe to fend off a skeleton dragon attacking a man on the ground.

by Dennis Polkow | February 23, 2024

Kindling a Fire: A Review of “The Matchbox Magic Flute” at Goodman Theatre

by Brian Hieggelke | January 31, 2024

Stage Top 5: February 2024

by Newcity | January 6, 2023

Players 2023: Who Really Performs for Chicago Right Now in Theater

by Mary Wisniewski | November 29, 2022

Deep Emotion: A Review of “The Steadfast Tin Soldier” at the Lookingglass Theatre

by Brian Hieggelke | February 25, 2022

Observations of Genius: A Review of “The Notebooks of Leonardo da Vinci” at Goodman Theatre

by Kevin Greene | January 2, 2020

Players 2020: The Fifty People Who Really Perform for Chicago

by Irene Hsiao | November 11, 2019

An Enduring Holiday Tradition: A Review of The Steadfast Tin Soldier at Lookingglass Theatre Company

by Kevin Greene | August 30, 2019

Fall Theater Preview: 2019 Edition

by Aaron Hunt | July 9, 2019

Good Trouble: The Music Man at Goodman Theatre

by Ben Kaye | November 19, 2018

Always Be Staunch: A Review of The Steadfast Tin Soldier at Lookingglass Theatre Company

by Kevin Greene | August 31, 2018

Seeing Seventy: A Select Slice of This Fall’s Theater Season

by Kevin Greene | June 4, 2018

Lost At Sea: A Review of 20,000 Leagues Under the Seas at Lookingglass Theatre Company

by Kevin Greene | December 19, 2016

A Tale of Two Stories A Review of Mr. and Mrs. Pennyworth at Lookingglass Theatre Company

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