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Matthew Ozawa

The ornate entrance of the Civic Opera House in Chicago, with a Lyric Opera sign, flanked by tall city buildings and lush greenery with flowers in the foreground.

by Dennis Polkow | April 17, 2026

Lyric’s John Mangum and Enrique Mazzola Discuss the 2026-27 Opera Season Mangum, the Lyric's general director, president and CEO, and Mazzola, the Lyric's music director, discuss what's in store for the opera company in the year ahead.

A stage scene with five people in traditional attire sitting in a modern, neon-lit set. On the left, a person sits alone in a booth under blue lighting and a large red circle on the wall, surrounded by posters and shelves.

by Dennis Polkow | March 18, 2026

Reimagined “Butterfly” Leaves Sumptuous Score Intact but Turns Reality on Its Head Matthew Ozawa’s multidimensional staging of “Butterfly” that premiered at Cincinnati Opera in 2023 is now being presented at his home company of Lyric Opera, where he is chief artistic director.

Two people stand against a plain light background, smiling. The woman on the left has short curly hair and wears a black scarf, while the man on the right has white hair, a beard, and a black shirt with a bold white circular pattern.

by Newcity | January 14, 2026

Players 50 2026: The Institutions

by Newcity | January 7, 2025

Players 50 2025: Opera

by Dennis Polkow | October 4, 2024

Double Freedom from Tyranny: A Review of “Fidelio” at Lyric Opera and “Leonora” at Chicago Opera Theater

by Newcity | January 6, 2023

Players 2023: Who Really Performs for Chicago Right Now in Opera

by Aaron Hunt | November 22, 2016

A New Day, A New Don A Review of Don Quichotte at Lyric Opera of Chicago

by Aaron Hunt | January 25, 2016

Review: Nabucco/Lyric Opera of Chicago

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October Issue
Realism

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