by Robert Eric Shoemaker | October 10, 2025“Oak” Drips With Campy and Real-World Horror for a Small Town Black Family Raven Theatre’s production tells us where the monsters are and runs the other way.
by Tristan Bruns | May 5, 2025The Best of Times: A Review of “A Tale of Two Cities” at Shattered Globe Theatre
by Mary Wisniewski | February 12, 2024Grace and Power: A Review of “Notes from the Field” at TimeLine Theatre
by Tristan Bruns | October 19, 2023I’m A Real Person! A Review of “Tambo and Bones” at Refracted Theatre Company
by Tristan Bruns | September 25, 2023The Price of Freedom: A Review of “Blues for an Alabama Sky” at Remy Bumppo
by Amanda Finn | June 2, 2022What Do Your Ghosts Want? A Review of “The Magnolia Ballet” at About Face Theatre
by Aaron Hunt | May 10, 2022Ghosts of Georgia: Is Terry Guest’s “The Magnolia Ballet” Fable or Parable?
by Erin Shea Brady | December 15, 2020Captivating and Necessary: About Face Theatre’s KICKBACK Festival Celebrates Queer Black Excellence
