by Hugh Iglarsh | June 11, 2026An “Antigone” That Doesn’t Reach Its Tragic Potential Tonal inconsistencies in Promethean Theatre Ensemble’s production of Jean Anouilh’s adaptation weaken the play’s powerful and relevant message.
by Noel Schecter | September 29, 2025“The Book of Will” Traces the Creation of Shakespeare’s First Folio Promethean Theatre Ensemble puts on a play that presents the surprisingly heroic efforts undertaken to preserve Shakespeare’s greatest works.
by Tristan Bruns | April 6, 2023Moving Backwards: A Review of “A Town Called Progress” by Promethean Theatre Ensemble
by Mary Wisniewski | May 25, 2022The Most Interesting Person in the Room: A Review of “Richard III” at Promethean Theatre
by Hayley Osborn | March 10, 2020The Gospel of Getting On: A Review of Mrs. Warren’s Profession at Promethean Theatre Ensemble
by Hugh Iglarsh | May 31, 2019Love Blooms Eternal: A Review of Bloomsday at Remy Bumppo Theatre Company
by Amanda Finn | February 26, 2019Wilde Women: A Review of Gross Indecency: The Three Trials of Oscar Wilde at Promethean Theatre Ensemble
by Irene Hsiao | November 26, 2018Trivia and Meaning: A Review of Arcadia at Promethean Theatre Ensemble
by Hugh Iglarsh | August 20, 2018Jersey By Way Of Athens: A Review of BLISS (or Emily Post is Dead!) at Promethean Theatre Ensemble
by Mary Kroeck | November 9, 2017Flights Less Fancy: A Review of Marisol at Promethean Theatre Ensemble
