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Sam Shepard

by Hugh Iglarsh | April 30, 2025

Meaningful Nonsense: Chopin Theatre and Gwydion’s “Theatre of the Absurd Festival”

by Noel Schecter | February 28, 2025

The Breakdown of The American Family: A Review of “A Lie of the Mind” at Raven Theatre

by Noel Schecter | February 13, 2025

Take It in with a Tequila Back: A Review of “Fool for Love” at Steppenwolf Theatre

by Ben Kaye | March 27, 2019

Dog Days: A Review of Yen at Raven Theatre

by Brian Hieggelke | July 2, 2013

Full Nelson: The Singular Intensity of Michael Shannon

by Lisa Buscani | September 23, 2012

Review: Geography of a Horse Dreamer/Mary-Arrchie Theatre

by Brian Hieggelke | June 15, 2011

Chinglish Lessons: The playwright on the Chicago summer of David Henry Hwang

by Monica Westin | May 3, 2010

Review: Curse of the Starving Class/New Leaf Theatre

by Fabrizio O. Almeida | June 30, 2009

Review: Boleros for the Disenchanted/Goodman Theatre

by Lisa Buscani | May 22, 2009

Review: Buried Child/Shattered Globe Theatre

by Dennis Polkow | March 31, 2009

To Bard, or Not to Bard: Why Shakespeare is finally coming to Steppenwolf

by Ilanakowarski | October 6, 2005

Review: Last of the Boys/Steppenwolf

by Ilanakowarski | August 21, 2005

Review: True West/The Hypocrites

Newcity cover showing woman with red hair and bird-face, with nest and crow on top of head.

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Fall Arts + Art 50

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