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Samuel Beckett

by Hugh Iglarsh | April 30, 2025

Meaningful Nonsense: Chopin Theatre and Gwydion’s “Theatre of the Absurd Festival”

A man stares at another man at attention from his side.

by Hugh Iglarsh | May 16, 2024

This Heat: A Review of “Turret” at A Red Orchid Theatre

by Ben Kaye | January 23, 2019

Can’t Keep Up: A Review of The Realistic Joneses at Shattered Globe Theatre and Theater Wit

by Kevin Greene | February 23, 2017

Still Waiting: A Review of Waiting for Godot at Tympanic Theatre Company

by Irene Hsiao | July 13, 2016

Much of the Same A Review of Tomorrow Morning at Kokandy Productions

by Alex Huntsberger | March 30, 2015

Review: Title and Deed/Lookingglass Theatre

by Alex Huntsberger | February 27, 2015

Review: Endgame/The Hypocrites

by Zach Freeman | January 28, 2015

Review: Waiting for Godot/Court Theatre

by Zach Freeman | October 28, 2014

Review: Happy Days/Theatre Y

by Alex Huntsberger | October 16, 2014

Review: Ionesco Suite/Theatre de la Ville at Chicago Shakespeare Theater

by Hugh Iglarsh | October 13, 2014

Beyond the Limits of Language: Happy Days at Theatre Y

by Aaron Hunt | October 10, 2014

Review: The Vandal/Steep Theatre Company

by Raymond Rehayem | July 28, 2014

Review: Hellish Half-Light: Shorter Plays of Samuel Beckett/Mary-Arrchie

by Johnny Oleksinski | May 4, 2013

Review: An Evening of Beckett/Shattered Globe Theatre

by Ella Christoph | June 29, 2012

Universal Solitude: Jorge H. de Haro Interprets Beckett’s “Solo”

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