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Sandra Marquez

by Ted C. Fishman | November 9, 2023

Hail to the Chief: A Review of “POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive” at Steppenwolf

by Mary Wisniewski | May 31, 2023

Sleep Warrior: A Review of “The Dream King” from Teatro Vista

by Kevin Greene | April 1, 2020

Theater Top 5: April 2020

by Kevin Greene | March 3, 2020

Joy Divided: A Review of I Am Not Your Perfect Mexican Daughter at Steppenwolf for Young Adults

by Ben Kaye | February 11, 2019

Opening Doors: A Review of A Doll’s House, Part 2 at Steppenwolf Theatre Company

by Ben Kaye | December 21, 2018

The Little Things That Keep Her Alive: A Review of La Ruta at Steppenwolf Theatre Company

by Kevin Greene | August 31, 2018

Seeing Seventy: A Select Slice of This Fall’s Theater Season

by Kevin Greene | June 22, 2018

Stage Top 5: July 2018

by Kevin Greene | April 16, 2018

Fake It ‘Til You Break It: A Review of The Doppelgänger (an international farce) at Steppenwolf Theatre Company

by Hugh Iglarsh | November 15, 2017

Heavy Is The Hand: A Review of Fade at Victory Gardens Theater and Teatro Vista

by Irene Hsiao | March 2, 2017

Transform and Transcend: Emjoy Gavino and the Chicago Inclusion Project Are Breaking Boundaries

by Kevin Greene | February 6, 2017

A Hero for Our Time: A Review of The Wolf at the End of the Block at Teatro Vista

by Irene Hsiao | November 22, 2016

Shades of Death A Review of Electra at Court Theatre

by Joy Miller | November 17, 2015

Review: Agamemnon/Court Theatre

by Mary Kroeck | October 10, 2015

Review: My Mañana Comes/Teatro Vista

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