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Sarah Price

A man holds a mic up to a woman who is bending forward, in front of a sloped stage with a man balancing on it.

by Tristan Bruns | October 5, 2023

On a Highway to Hell: A Review of “Eurydice” at Writers Theatre

by Ted C. Fishman | July 20, 2022

A Love Letter to a Love Letter: A Review of Dear Jack, Dear Louise at Northlight

by Persephone Jones | October 1, 2019

Let “X” Equal… : A Review of X at Sideshow Theatre Company

by Kevin Greene | February 21, 2018

Out For Blood: A Review of The Wolves at Goodman Theatre

by Kevin Greene | January 28, 2017

Shaking, Not Stirring: A Review of Earthquakes in London at Steep Theatre Company

by Kevin Greene | September 19, 2016

Misbehavin’ Mavens A Review of You on the Moors Now at The Hypocrites

by Irene Hsiao | March 12, 2016

Review: Mai Dang Lao/Sideshow Theatre Company

by Aaron Hunt | February 24, 2015

Review: The Sweeter Option/Strawdog Theatre Company

by Raymond Rehayem | June 11, 2014

Review: Monstrous Regiment/Lifeline Theatre

by Zach Freeman | January 14, 2014

Review: Solstice/A Red Orchid Theatre

by Zach Freeman | October 10, 2013

Review: Jane Austen’s Northanger Abbey/Remy Bumppo

A magazine cover split vertically: the left half shows wood grain, the right half shows a mans face and neck. NEWCITY and OCTOBER 2021 appear in yellow text at the top right.

October Issue
Realism

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