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Sarah Ruhl

by Tristan Bruns | October 28, 2024

Life Studies: A Review of Remy Bumppo’s “Dear Elizabeth” at Theater Wit

by Hugh Iglarsh | October 17, 2024

More Soapy than Spooky: A Review of Shattered Globe Theatre’s “Becky Nurse of Salem” at Theater Wit

A man holds a mic up to a woman who is bending forward, in front of a sloped stage with a man balancing on it.

by Tristan Bruns | October 5, 2023

On a Highway to Hell: A Review of “Eurydice” at Writers Theatre

by Persephone Jones | February 18, 2019

Rings False: A Review of Dead Man’s Cell Phone at The Comrades

by Kevin Greene | January 5, 2018

Designers Make It Work: Five Local Theater Designers Detail Their Dream Projects

by Kevin Greene | April 12, 2017

Grow Up: A Review of For Peter Pan On Her 70th Birthday at Shattered Globe Theatre

by Kevin Greene | April 10, 2017

Opening This Week: April 10-16, 2017

by Kevin Greene | March 29, 2017

Stage Top 5: April 2017

by Irene Hsiao | January 17, 2017

True Love Waits A Review of Eurydice at Promethean Theatre Ensemble

by Kevin Greene | October 17, 2016

Opening This Week October 17-23, 2016

by Kevin Greene | September 6, 2016

Back to School with The Yard Co-founders Joel Ewing and Mechelle Moe Reflect on their Company's Freshman Year

by Hugh Iglarsh | April 30, 2015

Family Affairs: Sarah Ruhl Brings Her “Melancholy Play: A Chamber Musical” Home to Piven Theatre Workshop

by Aaron Hunt | December 10, 2014

Review: The Clean House/Remy Bumppo Theatre Company

by Zach Freeman | February 20, 2014

Theater Tree: Piven Theatre Workshop Branches out with Polly Noonan Directing “The Language Archive”

by Ella Christoph | July 9, 2012

Review: The Three Sisters/Steppenwolf Theatre

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