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Stephen Sondheim

by Dennis Polkow | July 8, 2026

Isn’t It Rich To Experience Sondheim in the Round? The Marriott Theatre's "A Little Night Music" is an optimistic operetta.

by Mary Wisniewski | October 29, 2024

Bedtime Fairy Tales: A Review of Kokandy’s “Into the Woods” at The Chopin Studio Theatre

by Mary Wisniewski | June 7, 2024

Varieties of Romance: A Review of “A Little Night Music” at Theo Ubique Cabaret Theatre

by Dennis Polkow | March 5, 2024

Theo Theophany: A Storefront Theater’s Journey to Inclusivity

by Amanda Finn | November 15, 2023

A Killer Production: A Review of “Assassins” at Theo Ubique

by Dennis Polkow | November 6, 2023

Something Is Wanting: A Review of “Company” at Broadway in Chicago

A man plays a cello on a lounge chair while a maid holds his shoulders from behind.

by Noel Schecter | October 26, 2023

Sending in The Clowns: A Review of “A Little Night Music” at BrightSide Theatre

by Mary Wisniewski | June 6, 2023

Coming Up Roses: A Review of “Gypsy” at BrightSide Theatre

by Ted C. Fishman | May 2, 2023

The Time Is Now: A Review of “Into the Woods” at Broadway in Chicago

by Christine Trevino | February 14, 2023

Life is a Forest: A Review of Paramount Theatre’s Into The Woods

by Dennis Polkow | January 27, 2022

Sondheim’s Final Score & Last Word: Chameleon Composer, Wordsmith of Wordsmiths

by Amanda Finn | September 6, 2019

A Fierce and Fractured Fairy Tale: A Review of Into the Woods at Writers Theatre

by Erin Shea Brady | May 13, 2019

New Side, Same Story: A Review of West Side Story at Lyric Opera of Chicago

by Kevin Greene | April 29, 2019

Spring/Summer Theater Preview: 2019 Edition

by Hugh Iglarsh | June 2, 2018

Not Very Rich: A Review of A Little Night Music at BoHo Theatre

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