by Dennis Polkow | November 6, 2023Something Is Wanting: A Review of “Company” at Broadway in Chicago
by Noel Schecter | October 26, 2023Sending in The Clowns: A Review of “A Little Night Music” at BrightSide Theatre
by Christine Trevino | February 14, 2023Life is a Forest: A Review of Paramount Theatre’s Into The Woods
by Dennis Polkow | January 27, 2022Sondheim’s Final Score & Last Word: Chameleon Composer, Wordsmith of Wordsmiths
by Amanda Finn | September 6, 2019A Fierce and Fractured Fairy Tale: A Review of Into the Woods at Writers Theatre
by Erin Shea Brady | May 13, 2019New Side, Same Story: A Review of West Side Story at Lyric Opera of Chicago
by Aaron Hunt | April 20, 2017A Musical Bouquet: A Review of Marry Me A Little at Porchlight Music Theatre
by Aaron Hunt | March 15, 2017Farm to Fable: A Review of The Most Happy Fella at Theo Ubique Cabaret Theatre
by Dennis Polkow | July 6, 2015The Play Is the Sing: Longtime Stephen Sondheim Collaborator Paul Gemignani on “The Shakespeare of Music”
