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Steppenwolf Theatre Company

by Sharon Hoyer | November 19, 2025

Marimba and Mic Drops: A Review of Hubbard Street Dance Chicago at Steppenwolf Theatre The skill of the company is on full display in a stacked program of mic-drop numbers, old and new.

by Sharon Hoyer | October 28, 2025

Dance Top 5: November 2025

by Sharon Hoyer | November 6, 2024

It’s Gonna Be Delicious: The Verdon Fosse Legacy Teams Up with Hubbard Street Dance Chicago

by Ted C. Fishman | November 9, 2023

Hail to the Chief: A Review of “POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive” at Steppenwolf

by Amanda Finn | October 11, 2022

A Eulogy for Eugene: A Review Of 1919 At Steppenwolf Theatre Company

by Ted C. Fishman | June 29, 2022

Let’s See Together: A Review of “Choir Boy” at Steppenwolf Theatre

by Brian Hieggelke | September 9, 2021

Collision Course: Steppenwolf Emerges from the Pandemic with New Leadership and a New Theater (Fall Arts Preview 2021)

by Noel Schecter | March 16, 2021

Palace Life: A Review of “Duchess! Duchess! Duchess!” at Steppenwolf Theatre

by Hayley Osborn | April 8, 2020

Cut From Her Own Cloth: The Most Spectacular Designs of Miss Izumi Inaba

by Kevin Greene | March 3, 2020

Joy Divided: A Review of I Am Not Your Perfect Mexican Daughter at Steppenwolf for Young Adults

by Kevin Greene | January 29, 2020

Theater Top 5: February 2020

by Kevin Greene | January 8, 2020

Winter Theater Preview: 2020 Edition

by Kevin Greene | January 2, 2020

Players 2020: The Fifty People Who Really Perform for Chicago

by Kevin Greene | January 1, 2020

Player of the Moment: Wardell Julius Clark

by Erin Shea Brady | December 24, 2019

Pursuit of Perfection: A Review of Dance Nation at Steppenwolf Theatre Company

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