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Suzan-Lori Parks

A person in a plaid suit photographs another person wearing a top hat and a long coat inside a dimly lit room with a bed and a red-lit window.

by Amanda Finn | October 1, 2026

Steppenwolf’s “Topdog/Underdog” Reckons With the American Dream Namir Smallwood and Glenn Davis anchor Suzan-Lori Parks' Pulitzer Prize-winning tragicomedy about two brothers trying to make it.

by Mary Wisniewski | April 14, 2025

Grace Under Pressure: A Review of “The Book of Grace” at Steppenwolf Theatre

A man shuffles a card deck on a low table while seated on the ground.

by Amanda Finn | February 28, 2024

Don’t Show Your Hand: A Review of “Topdog/Underdog” at Invictus Theatre

by Persephone Jones | January 28, 2019

Scars and Letters: A Review of In The Blood at Red Tape Theatre

by Kevin Greene | January 4, 2019

Stage Top 5: January 2019

by Sharon Hoyer | January 2, 2019

Players 2019: The Fifty People Who Really Perform for Chicago

by Loy Webb | June 16, 2015

Review: The America Play/Oracle Theatre

by Lisa Buscani | March 26, 2012

Review: Fucking A/Urban Theater Company

by Brian Hieggelke | January 13, 2009

The Players 2009: The 50 people who really perform for Chicago

by Brian Hieggelke | June 27, 2008

Face to Face: Playwright Bonnie Metzgar joins About Face Theatre

by Jan Hieggelke | November 8, 2007

411 Seven Days in Chicago: A Year of Living Theatrically

by Ilanakowarski | September 14, 2006

Review: Venus/The Mill

by Ilanakowarski | July 27, 2006

411: Play a Day

A magazine cover split vertically: the left half shows wood grain, the right half shows a mans face and neck. NEWCITY and OCTOBER 2021 appear in yellow text at the top right.

October Issue
Realism

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