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Sydney Charles

by Newcity | January 7, 2025

Players 50 2025: Theater

A woman crosses her arms in a blue shawl while looking to her side.

by Mary Wisniewski | September 21, 2023

The Dinner Party: A Review of “Welcome to Matteson!” at Congo Square Theatre

by Ted C. Fishman | April 19, 2023

Against Great Odds: A Review of “Last Night and the Night Before” at Steppenwolf

by Newcity | January 6, 2023

Players 2023: Who Really Performs for Chicago Right Now in Theater

by Brian Hieggelke | September 14, 2022

Mother American Dream: A Review of The Most Spectacularly Lamentable Trial of Miz Martha Washington at Steppenwolf

by Hugh Iglarsh | February 4, 2022

A Jewel of a Show: A Review of Gem of the Ocean at the Goodman Theatre

by Brian Hieggelke | November 23, 2021

Plus c’est la même chose: A Review of “Her Honor Jane Byrne” at Lookingglass

by Noel Schecter | March 16, 2021

Palace Life: A Review of “Duchess! Duchess! Duchess!” at Steppenwolf Theatre

by Aaron Hunt | December 22, 2020

Living on the Precipice: A Review of I Hate It Here: Stories from the End of the Old World at Studio Theatre

by Kevin Greene | January 2, 2020

Players 2020: The Fifty People Who Really Perform for Chicago

by Kevin Greene | January 1, 2020

Player of the Moment: Wardell Julius Clark

by Sharon Hoyer | August 18, 2019

What You Need: A Review of The Fly Honey Show

by Hugh Iglarsh | February 6, 2019

Don’t Let Her Be Misunderstood: A Review of Nina Simone: Four Women at Northlight Theatre

by Sharon Hoyer | January 2, 2019

Players 2019: The Fifty People Who Really Perform for Chicago

by Emma Couling | September 11, 2018

You’re Not Ready: A Review of The Shipment at Red Tape Theatre

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