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Tom Stoppard

Two young girls in lace dresses laugh and play on a padded stool in an ornate, period-decorated room. Several adults in historical attire interact in the background. 1899 is projected on the wall.

by Tristan Bruns | June 17, 2026

“Leopoldstadt” Is Writers Theatre’s Largest Production in Its History The final play written by Tom Stoppard is a sweeping saga that follows a Jewish family in Vienna across generations.

A theater stage in red light with actors in black punctuated by two actors in all white.

by Mary Wisniewski | April 11, 2024

Abridged Absurdity: A Review of “Rosencrantz and Guildenstern Are Dead” at Court Theatre

by Kevin Greene | January 2, 2020

Players 2020: The Fifty People Who Really Perform for Chicago

by Irene Hsiao | November 26, 2018

Trivia and Meaning: A Review of Arcadia at Promethean Theatre Ensemble

by Irene Hsiao | October 9, 2018

A Revolution Without Dancing: A Review of Rock ‘N’ Roll at The Artistic Home

by Hugh Iglarsh | June 28, 2018

Guildenstern and Rosencrantz and Everyone We Know Are Dead: A Review of Guards at the Taj at Steppenwolf

by Irene Hsiao | May 1, 2017

All The World’s Offstage: A Review of Rosencrantz and Guildenstern Are Dead at Saint Sebastian Players

by Irene Hsiao | April 26, 2017

A Not So Smoothly Running Course: A Review of Shakespeare in Love at Chicago Shakespeare Theater

by Kevin Greene | April 24, 2017

Opening This Week: April 24-30, 2017

by Kevin Greene | March 1, 2017

Stage Top 5: March 2017

by Aaron Hunt | April 1, 2015

Review: Travesties/Remy Bumppo Theatre Company

by Zach Freeman | May 14, 2012

Review: Arcadia/New Leaf Theatre

by Erin Kelsey | November 1, 2011

American Players Theatre announces 2012 season

by Erin Kelsey | March 17, 2011

Writers’ Theatre announces 2011-2012 season

by Neal Ryan Shaw | September 28, 2010

Review: Night and Day/Remy Bumppo Theatre Company

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