by Charles Kenney | January 28, 2026A Long Marriage: Jeff Perry on Steppenwolf Theatre’s Fiftieth Anniversary and His Return for “The Dance of Death” “The Dance of Death” serves as a middle point of the fiftieth-anniversary season and is “a strain of work Steppenwolf has always been drawn to”—turn-of-the-century dramas which “feel absolutely contemporary.”
by Hugh Iglarsh | April 30, 2025Meaningful Nonsense: Chopin Theatre and Gwydion’s “Theatre of the Absurd Festival”
by Mary Wisniewski | March 17, 2023Lies, All Lies: A Review of “Describe the Night” at Steppenwolf Theatre
by Ted C. Fishman | May 16, 2022A Crueler Screwball Comedy: A Review of “The Seagull” at Steppenwolf Theatre
by Kevin Greene | April 30, 2019Hell or High Water: A Review of The Children at Steppenwolf Theatre Company
by Ben Kaye | February 11, 2019Opening Doors: A Review of A Doll’s House, Part 2 at Steppenwolf Theatre Company
by Alex Huntsberger | November 22, 2016Lonely at the Top A Review of The Fundamentals at Steppenwolf Theatre Company
by Loy Webb | July 11, 2016Exactly Where You Want to Be A Review of Between Riverside and Crazy at Steppenwolf Theatre Company
by Zach Freeman | October 30, 2013Building a Mystery: Unrehearsed “White Rabbit, Red Rabbit” Keeps Even its Performers Guessing
