• Skip to primary navigation
  • Skip to main content

Newcity Stage

Theater, Dance, Comedy and Performance in Chicago

  • Newcity Stage ·
    • About
    • Advertise
    • Privacy Policy
    • Newcity Network
  • Sections ·
    • Newcity
    • Art
    • Design
    • Film
    • Lit
    • Music
    • Resto
    • Brazil
  • Newsletters
  • Subscribe
  • Log In
Newcity Stage logo

Get Sparklejollytwinklejingley: A Review of Elf the Musical at Drury Lane

by Amanda Finn | November 22, 2022

by Amanda Finn
November 22, 2022November 20, 2022Filed under:
  • Musicals
  • Recommended Shows
  • Theater Reviews

Drury Lane’s “Elf the Musical” with Ben Dow and company/Photo: Brett Reiner

RECOMMENDED

The start of the Christmas season means two things: we watch “Elf” and I listen to “Elf the Musical.” The show is everything you’d imagine for a staged version of Buddy the Elf’s coming-of-age story. You can taste the gooey gumdrop goodness from any seat in the house, even if you’re more Team Grinch than Team Buddy. As someone who has unashamedly memorized the entire cast recording, Drury Lane’s production is everything this Buddy Fangirl could’ve hoped for—even with superb understudy Ben Dow running the show as the big elf himself.

Drury Lane’s “Elf the Musical” with A.D. Weaver and company/Photo: Brett Beiner

Dow could convince even “Elf”-averse friends to admit it’s a cute story. His lighthearted, downright goofy rendition of Buddy is perfectly juxtaposed with Lydia Burke’s not-so-jolly Jovie. Burke, along with Buddy’s step-mom Emily Hobbs (Melody A Betts), are the show-stopping powerhouse vocalists you never knew this musical needed. Who knew such a lighthearted romp could be made so much better with women like Betts and Burke in the cast? (We’re also going to need A.D. Weaver as Santa in all future Christmas plays. He is Santa now.)

Guests to Christmastown see the story of Buddy the Elf unfold via a giant storybook with “pages” that are turned throughout the show. Designed by Kristen Martino, the enormous storybook is a perfect homage to the book publishing gig of Buddy’s dad (Sean Fortunato).

Though this “Elf the Musical” nerd was sad not to hear the “Christmastown” song at the top of the show, which usually serves as exposition, but is replaced with the elf-centric “Happy All the Time.” “Christmastown” would be better served by Martino’s imaginative set design.

Here’s the thing about “Elf”: it is a feel-good, ultra-silly, holiday-heartfelt musical based on the 2002 Will Ferrell movie that almost never got made. Your favorite one-liners from the film are strung throughout the show, silly songs like “Sparklejollytwinklejingley” will be stuck in your head even though they are beyond ridiculous and you may (as I did) have a dopey smile on your face for the entire two-hour runtime. Even if Buddy’s New York City antics aren’t your style, “Elf” is that annual reminder that it’s okay to embrace our inner child. Maybe you won’t be inspired to eat a plateful of spaghetti doused in maple syrup, but you’ll find yourself feeling a bit more Sparklejollytwinklejingley as we head into the hectic season of holidays.

“Elf” at Drury Lane Theatre, 100 Drury Lane, Oakbrook Terrace, drurylaneoakbrook.com, through January 8, 2023. $18-$97.

Tagged:
  • A.D. Weaver
  • Ben Dow
  • Drury Lane
  • Kristen Martino
  • Lydia Burke
  • Melody A. Betts
  • Sean Fortunato

Post navigation

Previous Post The Pride of the Play: A Review of The Lion King at Broadway in Chicago
Next Post Predictable Chaos: A Review of “It Runs in the Family” at Citadel Theatre Company
Actors in 18th-century costumes perform onstage; one group stands in a line with arms linked and legs raised, while two men in blue coats stand apart. Others watch from a wooden balcony above. The scene is dimly lit.

“Hamilton” Still Brings Hope in America’s Age of Caligula The production moved its planned spring run to Chicago after Trump's takeover of the Kennedy Center. It's a tonic in a troubled time.

Mary Wisniewski March 9, 2026
A man in a tuxedo joyfully dips a smiling woman in a white dress while dancing on a stage, with other people in formalwear watching and clapping in the background. The setting is elegant, with arches and soft lighting.

Chicago Shakes’ “Much Ado About Nothing” Revives the Spirit of Classic 1940s Romantic Comedies Selina Cadell’s production of the screwball comedy delivers solid Shakespeare—clear and easy to understand without dilution.

Mary Wisniewski November 26, 2025

The Game of Make-Believe: A Review of “Henry V” at Chicago Shakespeare Theater

Mary Wisniewski September 17, 2024
A theater production of women wearing mink coats, black dresses and wide-brimmed hats, holding cigarettes.

Luck is a Lady Tonight: A Review of “Guys and Dolls” at Drury Lane

Dennis Polkow April 22, 2024

A magazine cover split vertically: the left half shows wood grain, the right half shows a mans face and neck. NEWCITY and OCTOBER 2021 appear in yellow text at the top right.

October Issue
Realism

GET A COPY

SUBSCRIBE

White text in all capital letters on a light gray background spells NEWCITY..
Facebook Twitter Instagram
  • About
  • Privacy Policy
  • Advertise
  • Subscribe
  • Newsletters
  • Chicago Film Project

Copyright Newcity Communications, Inc. © 2026