by Alyssa Motter | November 24, 2020Critical Community: The Dance Center of Columbia College’s “Dance Buffet” Series Finds Collective Connection in Quarantine
by Alyssa Motter | August 21, 2019Making An Artivist: Red Clay Dance Moves Chicago’s Incarcerated Youth
by Alyssa Motter | May 14, 2019Perception Is Reality: A Preview of the Eifman Ballet of St. Petersburg’s “The Pygmalion Effect” at the Auditorium Theatre
by Alyssa Motter | April 30, 2019From Washington Heights to Seoul, Korea: A Preview of South Chicago Dance Theatre’s “Dancing Beyond the Borderline”
by Alyssa Motter | April 15, 2019Chicago’s Up and Coming: A Preview of Synapse Arts’ “New Works” at the Hamlin Park Fieldhouse
by Alyssa Motter | April 6, 2019Iconoclastic Dance of Israel: A Review of Gauthier Dance’s “Mega Israel” at the Harris Theater of Music and Dance
by Alyssa Motter | March 23, 2019Exploring the Digital Wilderness: A Review of Annie Dorsen’s “The Great Outdoors” at the Museum of Contemporary Art
by Alyssa Motter | March 5, 2019Unfading Spirit, Enduring Impact: A Preview of Alvin Ailey American Dance Theater’s Sixtieth Anniversary at the Auditorium Theatre
by Alyssa Motter | March 1, 2019A Glocal Celebration: Red Clay Dance Company presents La Femme Dance Festival at the Green Line Performing Arts Center
by Alyssa Motter | February 26, 2019Modern Masterpiece: A Preview of English National Ballet in Akram Khan’s “Giselle” at the Harris Theater
by Alyssa Motter | February 19, 2019You Can’t Beat the Clock: A Preview of Chicago Danztheatre Ensemble’s “Getting Old Sucks” at Ebenezer Lutheran Church
by Alyssa Motter | February 5, 2019Glimmer in the Grey: A Preview of Ingri Fiksdal at the MCA Chicago
by Alyssa Motter | January 7, 2019Ten Years in the Making: A Preview of RE|dance group’s Decennial Season Kickoff at the Hamlin Park Fieldhouse Theater
by Alyssa Motter | December 3, 2018Tradition Reimagined: A Review of the Joffrey Ballet’s “The Nutcracker” at the Auditorium Theatre
